Arts Council England

The Lady of Shalott by John William Waterhouse in the Pre-Raphaelite style.

The earliest known examples are the prehistoric rock and cave art pieces, most prominent in North Yorkshire, Northumberland and Cumbria, but also feature further south, for example at Creswell Crags.[166] With the arrival of Roman culture in the 1st century, various forms of art utilising statues, busts, glasswork and mosaics were the norm. There are numerous surviving artefacts, such as those at Lullingstone and Aldborough.[167] During the Early Middle Ages the style was sculpted crosses and ivories, manuscript painting, gold and enamel jewellery, demonstrating a love of intricate, interwoven designs. Some of these blended Gaelic and Anglian styles, such as the Lindisfarne Gospels and Vespasian Psalter.[168] Later Gothic art was popular at Winchester and Canterbury, examples survive such as Benedictional of St. Æthelwold and Luttrell Psalter.[169]

The Tudor era saw prominent artists as part of their court, portrait painting which would remain an enduring part of English art, was boosted by German Hans Holbein, natives such as Nicholas Hilliard built on this.[169] Under the Stuarts, Continental artists were influential especially the Flemish, examples from the period include—Anthony van Dyck, Peter Lely, Godfrey Kneller and William Dobson.[169] The 18th century was a time of significance with the founding of the Royal Academy, a classicism based on the High Renaissance prevailed—Thomas Gainsborough and Joshua Reynolds became two of England's most treasured artists.[169] The Norwich School continued the landscape tradition, while the Pre-Raphaelite Brotherhood with their vivid and detailed style revived the Early Renaissance style—Holman Hunt, Dante Gabriel Rossetti and John Everett Millais were leaders.[169] Prominent amongst twentieth century artists was Henry Moore, regarded as the voice of British sculpture, and of British modernism in general.